Tsukioka Yoshitoshi, One Hundred Aspects of the Moon #54 Wang Zhang Ling Moon, June 1887, Woodblock print, Oban; 13-1/2Tsukioka Yoshitoshi, One Hundred Aspects of the Moon # 67 Joganden moon, October 1888, Woodblock print, Oban; 13-1/2Tsukioka Yoshitoshi, One Hundred Aspects of the Moon # 72 Mount Miyaji moon (Miyajiyama no tsuki), November 1889, Woodblock print, Oban; 13-1/2Tsukioka Yoshitoshi, One Hundred Aspects of the Moon # 81 Moon of the Red Cliffs (Sekiheki no tsuki), November 1889, Woodblock print, Oban; 13-1/2Tsukioka Yoshitoshi, One Hundred Aspects of the Moon # 82 Kenshin watching geese in the moonlight, April 1890, Woodblock print, Oban; 13-1/2Tsukioka Yoshitoshi, One Hundred Aspects of the Moon # 84 Cloth-beating moon (Kinuta no tsuki), April 1890, Woodblock print, Oban; 13-1/2Tsukioka Yoshitoshi, The Great Battle at Okehazama (Okehazama ôgassen no zu), September 1864, 1st Edition Woodblock print, 14.40h x 29.44w in, 36.58h x 74.77w cmTsukioka Yoshitoshi, Kato Kiyomasa Received by the Court from the series Illustrated History of Great Japan (Dai nihon shiryaku zue), 7/8/1897, Woodblock print, 14.40h x 29.44w in, 36.58h x 74.77w cmTsukioka Yoshitoshi, Departure from Camp in the Snow at Kawajiri (Kawajiri shutsujin no yuki), 1877, Woodblock print, 14.40h x 29.44w in, 36.58h x 74.77w cmTsukioka Yoshitoshi, One Hundred Aspects of the Moon: no. 51, Lady Gosechi (Tsuki hyakushi: Gosechi no myobu), 1887, Woodblock print, oban tate-e Prints: 9Tsukioka Yoshitoshi, One Hundred Aspects of the Moon: no. 8, Moonlight Patrol -Saito Toshimitsu (Tsuki hyakushi: gekka no sekko -Saito Toshimitsu), 1885, Woodblock print, oban tate-e 13.88h x 9.50w in, 35.24h x 24.13w cmTsukioka Yoshitoshi, One Hundred Aspects of the Moon: no. 22, Moon and Smoke (Tsuki hyakushi: Enchu no tsuki), 1886, Woodblock print, oban tate-e 13.88h x 9.50w in, 35.24h x 24.13w cmTsukioka Yoshitoshi, One Hundred Aspects of the Moon: no. 33, Dawn moon of the Shinto rites -festival on a hill (Tsuki hyakushi: Shinji no zangetsu -oyama no matsuri), 1886, Woodblock print, oban tate-e 13.88h x 9.50w in, 35.24h x 24.13w cmTsukioka Yoshitoshi, One Hundred Aspects of the Moon: no. 44, I wish I had gone to bed immediately, but now the night has passed, and I watch the moon descend (Tsuki hyakushi: yasurawade, nenamashi mono o, sayo fukete, katabuku made no, tsuki o mishi kana), 1887, Woodblock print, oban tate-e 13.88h x 9.50w in, 35.24h x 24.13w cmTsukioka Yoshitoshi, One Hundred Aspects of the Moon: no. 69, Season temple moon -Captain Yoshitaka (Tsuki hyakushi: Sesonji no tsuki -Shosho Yoshitaka), 1888, Woodblock print, oban tate-e 13.88h x 9.50w in, 35.24h x 24.13w cmTsukioka Yoshitoshi, One Hundred Aspects of the Moon: no. 92, Monkey-music moon (Tsuki hyakushi: sarugaku no tsuki), 1892, Woodblock print, oban tate-e 13.88h x 9.50w in, 35.24h x 24.13w cmTsukioka Yoshitoshi, One Hundred Aspects of the Moon: no. 20, Suzaku Gate moon -Hakuga Sammi (Tsuki hiyakushi: Suzakumon no tsuki -Hakuga Sammi), 1886, Woodblock print, oban tate-e 14.88h x 9.75w in, 37.78h x 24.77w cmKour Pour, Western Appropriation Landscape Painting, 2017, Block printing ink on canvas, 78.75h x 60.25w in, 200.03h x 153.04w cm