Christopher Hartmann
Christopher Hartmann (b. 1993, Bamberg, Germany) is a German–Costa Rican artist living and working in London. He holds a MA in Communication Design from Central Saint Martins and a MFA in Fine Art at Goldsmiths University London.
In his detailed oil paintings, Hartmann creates near-photorealistic scenes, in which time and space appear suspended, exploring complex relationships shaped by alienation, intimacy, loss, and emotional attachment and detachment. Through luminous layers of oil paint that echo the visual language of photo-editing software, he evokes the glow of digital screens, infusing his subjects with artificial tones. In doing so, he reflects on a technology-driven, oversaturated age in which realism feels increasingly simulated. Often depicting young figures in moments of repose or presumed dialogue, his subjects embody a longing for authentic connection while simultaneously appearing distanced from one another and their surroundings. Drawing inspiration from themes related to romance, his work often explores the tensions between closeness and distance, touching on boundaries, isolation, and co-dependence.
Hartmann exhibited his work in solo exhibitions at GNYP Gallery in Antwerp and Berlin; BLUM & Poe in Los Angeles; König Galery in Berlin; Nassima Landau Foundation in Tel Aviv; Hannah Barry Gallery in London amongst others. His work has also been included in group exhibitions at Gallery Vacancy in Shanghai; Perrotin in Paris; Neuer Aachener Kunstverein in Aachen; Newchild Gallery in Antwerp; White Cube in London amongst others. He was a nominee for the HixAward (2019) and is a grantee from the Elizabeth Greenshields Foundation (2020). His work is included in the permanent collections of the Long Museum (Shanghai); K11 Art Foundation (Hong Kong); Museo Thyssen-Bornemisza (Madrid) among others.
- 2026
- Christine Vuegen, "Bedscapes", Collect Magazine
- 2025
- Emma Ness, "Christopher Hartmann’s Haunting Hyperrealism: Painting Intimacy in the Digital Age", Artmag
- 2023
- Liam Kozak, "A Solo Exhibition from Christopher Hartmann in Los Angeles", Flaunt Magazine
- Neria Barr, "Weekly Countdown", Los Angeles Times
- Neria Barr, "Artist Christopher Hartmann displays oil paintings in Tel Aviv", The Jerusalem Post
- 2021
- Paul Jebara, "Artistic Notions of ‘Flesh’ are Laid Bare at Antwerp’s Newchild Gallery", Forbes
- "Artists Selected for New Contemporaries 2021 Demonstrating the Resilience of the Creative Process in a Challenging Year", e-flux
- Louisa Buck, "Our Critic's Choice of London Gallery Weekend Shows: South", The Art Newspaper
- Charlotte Jansen, "The Challenge and Allure of Portraying Sex in Art Today"
- "Artist Spotlight: Christopher Hartmann", Booooooom
- María Fuentes Guiote, Interview with Christopher Hartmann, Metal Magazine
- Lizzy Vartanian, "Emerging Artists To Have On Your Radar In 2021", The Art Gorgeous
- 2020
- "Tired and Scared: The New Normal in Figurative Painting", Elephant
- Ayla Angelos, "“I remove all the imperfections”: Christopher Hartmann on his artificial and figurative practice"
- Yannis Kostarias, "Christopher Hartmann’s Dazzling Figurative Paintings Address Issues Of Anxiety And Emptiness ", Art Verge
- Peter von Kant, "CHRISTOPHER HARTMANN 'COME SO CLOSE (THAT I MIGHT SEE)'", LET'S MAKE LOTS OF M*NET
Exhibitions at GNYP Gallery
Solo Exhibitions
- 2026
- You Don't Live Here Anymore, GNYP Gallery, Antwerp (Belgium)
- 2024
- On Your Own, BLUM and Nassima Landau Art Foundation, Paris (France)
- 2023
- Nightswimming, BLUM & Poe, Los Angeles (USA)
- 2022
- No Signal, König Galerie, Berlin (Germany)
- State of Life, May I Live, May I Love, T&Y Projects, Tokyo (Japan)
- 2021
- I Will Heal, GNYP Gallery, Berlin (Germany)
- What I want to say is this, Nassima Landau, Tel Aviv (Israel)
- In And Out of Touch, Hannah Barry Gallery, London (UK)
- 2020
- Come So Close (That I Might See), PetervonKant, London (UK)
Group Exhibitions
- 2026
- After the Encounter, Almine Rech, Brussels (Belgium)
- Stay With Me (Neither Here nor There), Gallery Vacancy, Shanghai (China)
- 2025
- Clear History, Perrotin, Paris (France)
- 2024
- Episode II: Home and Away, Matt Carey-Williams at Gallery2, Seoul (South Korea)
- Gen, Gender, Genderless, Nassima Landau, Tel Aviv (Israel)
- 2022
- Queering the Narrative, Neuer Aachener Kunstverein, Aachen (Germany)
- 2021
- Flesh, Newchild, Antwerp (Belgium)
- The Gaze, TJ Boulting, London (UK)
- 2020
- High Voltage, Nassima-Landau Project, Tel Aviv (Israel)
- Tomorrow: London, White Cube, London (UK)
- London Grads Now, Saatchi Gallery, London (UK)
- Messe in St. Agnes, König Galerie, Berlin (Germany)
- Drawn Together, Unit London, London (UK)
- Crowd, Hannah Barry Gallery, London (UK)
- 2019
- I Hope This Finds You Well, Eve Leibe Gallery, London (UK)
- A High Hang, Eccleston Project Space, London (UK)
- Thou Do With Me What You Wish, Take Courage Gallery, London (UK)
- HIX Award, HIX ART, London (UK)
- Long Live the New Flesh, Old Biscuit Factory, London (UK)
- 2018
- Here Now!, Lethaby Gallery, London (UK)
Awards, Grants and residencies
- 2022
- Nassima Landau Foundation, Tel Aviv (IL)
- 2020
- Elizabeth Greenshields Foundation Grant, Montreal (CA)
- The Fores Project, London (UK)
- 2019
- Finalist, HIX Award, London (UK)