Gina Beavers
Crystal Pink Lip 2

2018
Fine Art Print on Hahnemühle PhotoRag Ultrasmooth 305g
Paper: 80 x 60 cm
32 x 24 in
Motif: 62 x 45 cm
25 x 18 in
edition
unframed


available
EUR 600 (+ VAT if applicable)

Working before with references taken from the original pop movement of the 1950’s, Beavers evolved to paint the 'current pop', starting to search on social media posts for image templates to her extravagant canvases. Beavers' anthropological interest in society translates in paintings that explore the banality of internet: makeup tutorials, the so called food-porn pictures, body builder selfies, etc. In tune with the eccentricity of her artistic process, Gina Beavers maximizes the visual potential of her medium, taking tridimensionality to its higher possible level and bringing painting closer to sculpture. In 2019 Beavers had a solo exhibition at MoMA PS1, and in 2020 she was part of a group show in the Frans Hals Museum in Haarlem.

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Otto Ford
Perihelion Series, #6

2018
Acrylic pigment based ink printed on Hahnemuhle paper mounted on a lightweight aluminium plate
67 x 50 cm
27 x 20 in
unique
framed


available
EUR 4.500 (+ VAT if applicable)

Preoccupied with the future of the painting medium and process he creates his digital canvases with all a broad range of data sources that catch his attention: from digital reproductions of art history subjects to NASA pictures of the space he bundles the data into a brushstroke with the help of a computer coming to a visual result that resembles - at first glance - a traditional painting. The painting process takes weeks. When the work is completed it is printed with acrylic pigment based ink on Hahnemuhle paper, mounted on aluminum and framed. Ford is a perfectionist and works with the best available materials. This work is signed and dated by the artist on the back.

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Brian Harte
The artist and his family pt.2

2018
oil, crayon, photograph and cardboard on linen
210 x 165 cm
83 x 65 in
unique
unframed


available
USD 25.000 (+ VAT if applicable)

One of the main characteristics of Harte’s paintings is his bold use of color and the indeterminate condition of the canvases’ figures, which remain in a state between the sketch-like and the finished. Though this process is already perceptible in his earlier paintings, it notably became a grander concern for Harte in his latest works. The observer’s eye travels through the richly detailed and chaotic spaces depicted in Harte’s paintings and slowly and repeatedly finds familiar elements, unnoticeable at first glance. A tile pattern in the background might recall a kitchen backsplash, for instance, whilst elsewhere you might detect the outline of something like a teacup or a knife. This identification, that requires a certain amount of time and effort to happen, is not a solid one: quickly the observer finds himself again wondering through the painting, confronting these figurative elements with the flatness of Harte’s backgrounds.

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